It is impossible to reproduce a specific color using only monochromatic line drawings of a different hue. However, when sketching with a pen or pencil, color information is often expediently expressed through hatching, cross-hatching, or solid fills. The methods of this expression vary from person to person, and it can be said that the subjectivity of the artist plays a direct role.

In graphic design, “CMYK” is an essential method of color expression. The color values created by these combinations—such as C (Cyan) 100, M (Magenta) 100, Y (Yellow) 100, and K (Black) 100—are immutable; no matter who applies the color, the exact same result is naturally reproduced. But what happens when we express this through line drawing? While it certainly cannot transmit accurate color information, the scope of expression instantly expands into infinity. In particular, since CMY represent the three primary colors rather than colors born from mixing, there is little room for logic; they become purely the products of the artist’s imagination and fantasy. This evokes monochrome expressions and primitive art, such as petroglyphs (rock engravings).

In this work, by representing the modern colors of cyan, magenta, yellow, and black through primitive line drawings, I intend to invite viewers to contemplate the diversity, possibilities, and impossibilities of expression.

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CMYK drawing, 2019
W80xH20cm　Japanese cypress, aluminum, paint